Monday, December 17, 2012

Resurrecting the ancient city of Laodicea

Resurrecting the ancient city of Laodicea ~ Roman News and Archeology



    Monday, December 17, 2012

    Resurrecting the ancient city of Laodicea


    Cranes, excavators, teams of workmen in hard-hats and foremen shouting into their mobile phones are a ubiquitous feature of today's Turkey, a country where, in spite of a global economic slowdown, new buildings continue to be erected at a staggering rate. Take a trip to Laodicea, however, and you'll see a “building site” with a twist. For here a long abandoned Greek-Roman city is being resurrected wholesale from its ruins by … construction cranes and teams of workmen in hard-hats!
    Ancient city of LaodiceaSprawling across a low hill between the prosperous textile town of Denizli and the iconic travertine formations of Pamukkale in western Turkey, ancient Laodicea is generally overlooked by the vast majority of visitors, who tend to be drawn instead to Pamukkale and its associated site of Hierapolis, or the wonderful remains at Aphrodisias, not too much further away. Only bible groups, attracted to Laodicea because it is one of the Seven Churches mentioned in the New Testament's Revelation of John, buck the trend.
    That Laodicea is relatively little visited is hardly surprising given its press. The current edition of Lonely Planet Turkey says “there's not much of interest left,” the Rough Guide to Turkey doesn't even mention the site. A late 1980s version of the more specialist, archaeology and history-orientated Blue Guide writes of Laodicea, “Much of its worked stone has been removed for building purposes and, unfortunately, little is being done to preserve its remaining structures from further damage.”
    Columns, capitals and freshly cut marble
    The author of the latter guide particularly would be gobsmacked at the momentous changes under way at Laodicea in late 2012. Everywhere you look across the broad, uneven hilltop site are recently re-erected columns, many of which were once an integral part of the colonnades lining the city's grid-plan streets. The carefully grooved columns are surmounted in many cases by flamboyantly carved Corinthian-style capitals, hefty flared blocks decorated with acanthus leaves. Of course you can see re-erected columns at many similar sites across western Turkey, but visit Laodicea today and you can actually see how the reconstruction work is done, with cranes lifting the marble column drums up to the workers on a scaffolded section of colonnade, and blue-hatted workers maneuvering them into position.
    Turkey Laodicea
    Turkey Laodicea (Photo credit: Wikipedia)
    Inevitably, where a column drum has been lost to the vicissitudes of time, re-erecting the complete column necessitates the insertion of a new one. Add to this the fact that many of the original parts have been cleaned up to blend in with the new, and the overall effect of the gleaming white marble reconstructions can be rather off-putting, for most of us are both used to -- and rather like -- seeing our ancient remains romantically tarnished by the weather and crusted with lichen. But thinking about it, isn't this how the city would have looked like when it was first being built back in the mid-third century B.C. by the Seleucid ruler King Antiochus II for his wife, Laodicea, or rebuilt in even grander fashion following one of the many quakes that devastated the region in the Roman and Byzantine periods, with freshly cut and polished marble dazzling ancient workmen and idle onlookers alike?
    A new Ephesus?
    To reconstruct ancient buildings or not is, of course, an argument that has long divided archaeologists and historians. Purists argue that ancient sites should be excavated and records kept of what is found but that they should be otherwise left as they are -- if for no other reason than that those involved in the reconstruction might get it wrong. Liberals counter that reconstruction enables both experts and ordinary people alike to better appreciate a building or site, and fosters an interest in the past among the general public that can only be of benefit to the preservation of the past. Fortunately the liberals appear to have won the day at Laodicea, where the excavation and reconstruction work is being carried out under the aegis of Denizli's Pamukkale University.
    Newspaper talk of a “second Ephesus” may be a little premature, but there is no doubt that this is going to a major site on western Turkey's tourism circuit -- especially given its proximity to Pamukkale and its New Testament associations. For despite the numerous earthquakes that leveled the city from time to time, it nonetheless prospered and grew to be, at its height in the second and third centuries A.D., a major settlement covering some five square kilometers. Its wealth derived from its location controlling a major trade route between the Aegean and upland Anatolia, the production and export of fine quality wool, and because of the presence nearby of an important shrine to the moon god Men and its associated healing center, which drew in many pilgrims. The city retained its importance until the early sixth century, when it was abandoned after a particularly severe earthquake.
    Exploring the site
    But apart from the colonnades already mentioned, what is there left to see of this once important city? Once you've negotiated the entry point (admission TL 10, 8:30 a.m.-5 p.m. daily except Monday) the most obvious place to start, just beyond the parking lot and café-cum-souvenir shop, is the southeast gate, also known as the East Byzantine Gate. Using masonry from previous Roman buildings, the gate was part of a defensive fortification thrown up around the city in the late fourth century A.D., a sign that the region was less secure than it had been during the preceding Roman period. The gate opens up onto the city's main thoroughfare, near one kilometer-long and impressively broad Syria Street, its large marble paving flags still in remarkably good condition. Lined on either side by imposing columns, it's every bit as impressive as any Roman street surviving in Turkey bar, perhaps, Curetes Street at Ephesus.
    Probably the most intriguing remains are those rather prosaically known today as Temple A, on the north side of Syria Street. Some 19 columns of this temple and its sanctuary area have been re-erected, giving some idea of the vast scale of this place of worship. Enter the well-preserved doorway leading to the main body of the temple, which would have contained a statue of a deity in ancient times, and you find yourself, rather alarmingly until you get used to it, walking on tempered glass set in a steel canopy covering the arched vault below, still littered with finely carved marble statuary.
    Further along Syria Street are the remains of the marketplace or agora, right at the heart of the settlement and the focal point of any Greek-Roman town. Just south of it are the so-called Central Baths, the typically monumental structure comprising the changing, warm, hot, super-hot and cold-plunge rooms of a typical Roman bath, very much the model for the later Turkish hamam. The holes where the metal pegs used to fix the marble cladding to the interior can still be seen and, in one spot on the east wall, a fragment of the marble itself is still in place, clinging to the original plaster.
    Marble jigsaw puzzles
    Over to the northwest, heading towards the westernmost of Laodicea's two theaters, are neatly piled and labeled stacks, some of marble fragments, others of brick, tile and sections of terracotta water pipe. Recovered from the site by the excavators, these oversized jigsaw puzzle pieces will be painfully pieced back together in whichever building they came from -- or stored in a museum depot somewhere until their fate is decided. Close by, when I visited a couple of weeks ago, local workmen stood in the bottom of deep trenches cut into the accumulated debris of a couple of millennia or so, uncovering a jumble of marble column drums and other architectural pieces from long-tumbled buildings. Above them a massive crane was poised, ready to hoist the remains up and away, its driver listening to shouted instructions from a young, bearded archaeologist, while a tractor and trailer was loaded with earth from the dig.
    It was rather a different scene to the one recorded by Society of Dilettante member Richard Chandler, who visited Laodicea in 1764 to record its antiquities. Although he reports seeing many remains, they were either “in a confused heap” or else covered with “risen soil.” The reconstruction of the ancient city and subsequent hordes of tourists envisaged by the Ministry of Culture and Tourism and Denizli's mayor were then unimaginable. Chandler and his party camped on the ruins of the desolate city and he wrote: “All was silence and solitude. Several strings of camels passed eastwards over the hill; but a fox, which we first discovered by his ears peeping over a brow, was the only inhabitant of Laodicea.”
    A sight well-worth seeing
    There is much else to discover in this sprawling site, from the massive outline of a 25,000-seater stadium to several basilica churches, and it would be easy enough to spend a whole day here. Although the sprawl of Denizli is encroaching upon the environs of Laodicea in the form of skeletal electricity pylons and the like, it remains a beautiful spot, raised up above the valley floor, with grand views across to the mountains on either side. The great white smudge on the hillside to the northwest is the travertine terraces of Pamukkale, behind which lie the remnants of Laodicea's northern neighbor, the spa-city of Hierapolis.
    When the excavation and reconstruction work is completed -- which won't be for many years judging by the amount of architectural material still jumbled about the place -- Laodicea may just give Ephesus, another of the Seven Churches mentioned in Revelations, a run for its money in tourism terms. For the moment it is quiet and uncrowded. This sense of solitude, combined with the chance to see an ancient city resurrected, piece by piece, makes Laodicea a “building site” worth seeing rather than avoiding.

    Gladiator generals tomb falls victim to Italys austerity cuts ~ Roman News and Archeology

    Gladiator generals tomb falls victim to Italys austerity cuts ~ Roman News and Archeology

    On its discovery in 2008, it was hailed as one of the most significant Roman finds in decades. Digging down between the railway line and mechanics' workshops where the Tiber winds its way north out of Rome, archeologists found the remains of a 45ft high structure fronted by four columns. This was what was left of the luxurious tomb of Marcus Nonius Macrinus, the swaggering Roman general whose ceaseless campaigning in the 2nd century helped inspire Russell Crowe's film Gladiator.

    GladiatorBut now cuts mean the tomb may be buried all over again, according to Rome's extremely unhappy state superintendent forarchaeology. "I fear we are going to take into serious consideration the idea of protecting these sensational finds by re-covering the entire site with earth," said Mariarosaria Barbera.
    Today, Macrinus's last resting place – in an industrial wasteland in the suburbs of Rome – appears forgotten. Delicately carved white capitals which were miraculously preserved for 1,800 years under thick clay now sit, discoloured by air pollution, in pools of rainwater, while cracks caused by winter ice have appeared in the stonework.
    With funding for maintenance of Italy's archeological sites slashed by 20% since 2010 thanks to austerity cuts, the €2m-€3m (£1.6m-£2.4m) needed to preserve the tomb will not be available unless a sponsor is found soon, according to Barbera.
    Covering up precious discoveries to protect them is getting more common in Italy as funding shrinks, she added. "Until now it has usually happened when remains are not that significant or monumental. In this case they clearly are."
    A trusted friend of Emperor Marcus Aurelius, Macrinus won his spurs fighting Germanic tribes, just like Crowe's character, which was enough for the site to be known as "the Gladiator tomb". Beyond that the similarities end, since Macrinus did not fall out with the emperor's son nor become a gladiator but died a rich man, honoured by his massive mausoleum.
    "The tomb was very grand, with marble roof tiles, not terracotta, and was probably inspired by what he saw in Turkey," said Daniela Rossi, the archaeologist who led the dig and has written a book about the finds.
    A panel carved with Latin script spelling out Macrinus's military career has been dug up, revealing for the first time that he also travelled to Spain.
    The discovery also raises new questions about the importance of the Via Flaminia, the Roman consular road running alongside the mausoleum which experts believe was flanked by tombs and rivalled the better known Appian Way.
    Exposed by the dig, a stretch of the perfectly preserved, stone-flagged road dating from Rome's republican era abruptly disappears under a suburban railway line at one end of the site and beneath an abandoned graffiti-sprayed house on the other.
    "This is an extraordinary site, it blows you away," said Darius Arya, an American archaeologist who has worked at the tomb and is campaigning to keep the bulldozers at bay. "Burying these remains is a disaster – you wonder what is the point of archaeology."
    Maria Grazia Vernuccio, a spokeswoman for the heritage group Italia Nostra, said funding cuts were leaving a number of Italian sites at risk of crumbling, from Pompeii to the sprawling city of Ostia Antica near Rome, to Villa Jovis, the Emperor Tiberius's palace on the island of Capri, and Aquileia, the Roman city near Venice.
    "Over 40% of Italy's archaeological sites are now closed due to lack of funds," she said. "Inspectors often cannot even get to the more remote sites in their cars because the ministry won't give them petrol and there is less money for guards to keep looters out."
    Protected by a rusty padlocked gate, Macrinus's tomb was targeted by thieves after it was first excavated in 2008. "Luckily the piece of marble they selected was too heavy and they dumped it," said Rossi.
    Carlo Brecciaroli, the contractor hired to help dig up the tomb and who may now be charged with burying it, warned that work could start any day if temperatures fall and the risk of ice damage increases.
    "There are more mausoleums waiting to be revealed along this stretch of the Via Flaminia," said Rossi. "It's a gold mine we may never get to see."

    Thursday, December 13, 2012

    Hans Christian Andersen’s first fairy tale found


    The History Blog » Blog Archive » Hans Christian Andersen’s first fairy tale found

    Tunnels under Caracalla Baths open to the public

    Tunnels under Caracalla Baths open to the public


    Part of the extensive network of tunnels underneath the Baths of Caracalla will open to the public starting December 21st for the first time since their rediscovery in the late 19th century.
    Construction on the 11-hectare thermal bath complex probably began under the Emperor Septimus Severus, but it opened in 216 A.D. during the reign of the Emperor Caracalla, hence the name. The baths were free for public use and could accommodate up to 5000 visitors a day. There were open-air gyms (palaestrae), a dry heat sauna and massage room (laconicum), a hot room (caldarium), a warm room (tepidarium), a cold room (frigidarium) and an outdoor Olympic-sized pool for swimming (natatio) that was 164 feet long and just three feet deep.
    The swimming pool had no roof and was heated by radiant panels, bronze mirrors angled above to the pool to reflect the sun onto it. The inside rooms and their pools were heated by a hypocaust, an underfloor heating system that channeled hot air from coal and wood-burning furnaces. The closer to the furnace the hotter the room. The water was supplied by a branch of the Aqua Marcia aqueduct called the Aqua Antoniniana built by Caracalla specifically for this purpose. The aqueduct ended in a giant cistern two stories high with 64 vaulted chambers where the water was collected. A series of underground channels carried it from the reservoirs through the hypocaust for heating.
    The scale of these baths was so massive the tunnels which ensured its proper operation had to be as well. There are two miles of tunnels along three levels. Each tunnel is 20 feet high and 20 feet wide, wide enough for two ox carts to pass through side by side. Driven by armies of slaves, the carts would transport tons of wood a day to stoke the 50 furnaces.
    The baths weren’t just for bathing, though. The complex also featured a public library with books in Latin and Greek, all kinds of shops and even conference rooms. The gardens were richly landscaped with plants, water features and sculptures. In fact, the Farnese Pope Paul III ordered the baths be excavated in 1545 with the hope that he could score some quality sculptures for the family collection. His dreams came true and then some. Among the treasures found Farnese Hercules and the Farnese Bull, both now in the National Archaeological Museum of Naples along with the rest of the Farnese sculpture gallery.
    Even the tunnels had spaces dedicated to non-bath purposes. The largest Mithraeum in the world was built there. The mystery rites of Mithras were always held in natural caves or in dark underground spaces that resembled caves, and the Baths of Caracalla had room galore along those lines.
    The baths remained in use until 537 A.D. when the city was besieged by the Ostrogoths under Witiges who cut off the aqueducts supplying Rome with its water. Since the baths were located at the base of the Aventine close to the southern city walls some distance from the historic center, the baths were left to their own devices during the post-imperial decline of Rome. They decayed into ruin but at least nothing was built over them. Over time people forgot about the complex system of tunnels that had once kept the water running hot; the excavations of the 1500s didn’t go down that far.
    The palestrae with their elaborate mosaic floors were rediscovered the first half of the 19th century, and the rest of the complex was revealed over the course of multiple excavations throughout the rest of the 19th century and the first half of the 20th. The tunnels were not as glamorous as the topside finds, however, so even as the baths became a major tourist attraction, the guts of the complex remained off limits to visitors.
    Mussolini attempted to strengthen them in the 1930s as part of his plan to use the ruins as a stage for operas. The first summer season opera, Donizetti’s Lucia di Lammermoor, debuted August 1st, 1937, on a stage 72 feet wide, the largest stage in the world at that time, built in the remains of the caldarium. The Rome Opera still puts on a summer season at the Baths of Caracalla to this day, although there was a break between 1940 and 1944 due to war and between 1994 and 2000 due to concerns that the productions were harming the structures. Now the operas are no longer held in the caldarium but rather on the grounds with the majestic remains as a backdrop.
    Over the past year, a restoration program has finally paid some overdue attention to the tunnels. The program started inauspiciously with the installation of skylights in the roofs of the tunnels. This turned out to be a bad idea. As soon as the formerly sealed walls were exposed to sunlight and airflow, algae began to make a home for themselves. Within a few months the skylights were closed, the walls cleaned and an electric lighting system installed so tourists can see.
    The Mithraeum opened to visitors last month and will remain open until January. There’s little of the decoration left — a partial fresco, the black and white mosaic floor, a piece of a marble altar — but its sheer size is remarkable. The tunnels where restoration is complete will remain open indefinitely. Restoration continues for the rest of the tunnels. The full restoration project is expected to take another two years.
    The History Blog » Blog Archive » Tunnels under Caracalla Baths open to the public

    Wednesday, December 12, 2012

    Classics professor unearths archaeological clues about ancient Roman vineyards ~ Roman News and Archeology

    They may not look like much to the untrained eye, but these ancient Roman vine grape seeds, believed to back to the 1st century A.D., could provide “a real breakthrough” in the understanding of the history of Chianti vineyards in the area, de Grummond says.

    Roman Vineyards SeedsThis time around it's not the usual shards of pottery and vessels, remnants of building foundations or other unearthed in past years, but rather a treasure that's far more earthy: grape seeds.Actually, Nancy Thomson de Grummond has discovered some 150 waterlogged grape seeds that have some experts in vineyard-grape DNA sequencing very excited.
    The tiny grape seeds, unearthed during a dig this past summer in Cetamura del Chianti, were discovered in a well and are probably from about the 1st century A.D., roughly about the time the Romans inhabited what is now Italy's Chianti region. The seeds could provide "a real breakthrough" in the understanding of the history of Chianti vineyards in the area, de Grummond said.
    "We don't know a lot about what grapes were grown at that time in the Chianti region," she said. "Studying the grape seeds is important to understanding the evolution of the landscape in Chianti. There's been lots of research in other vineyards but nothing in Chianti."
    Clockwise from top left, FSU undergraduates Nat Coombes, Tyler Haynes and Ellie Margedant pose with Professor Nancy Thomson de Grummond, center, and Professor Cheryl Sowder of Jacksonville (Fla.) University, left, at the Cetamura site in Italy.
    Nearly every summer since 1983, de Grummond, the M. Lynette Thompson Professor of Classics, has shepherded teams of enthusiastic Florida State students into Italy's Tuscany region to participate in archaeological digs at Cetamura del Chianti, a site once inhabited by the Etruscans and later by .
    Over the years, she and her students have unearthed numerous artifacts that have reshaped current knowledge of the religious practices and daily lives of a long-gone people.
    De Grummond is a leading scholar on the of the Etruscans, a people whose culture profoundly influenced the ancient Romans and Greeks. Her book "Etruscan Myth, Sacred History, and Legend," the first comprehensive account of Etruscan mythology, was published in 2006. She also co-wrote another book, "The Religion of the Etruscans," with fellow Etruscan scholar Erika Simon; that book was published the same year.
    The Etruscans, who once ruled most of the Italian peninsula, were conquered and absorbed by the Romans in the second and first centuries B.C.E. ("Before the Common Era"). Prior to that time, however, they were a highly advanced civilization that constructed roads, buildings and sewer systems and developed the first true cities in Europe. They also built large, complex religious sanctuaries.
    De Grummond, who next summer will celebrate her 30th anniversary of taking Florida State students on research trips to Cetamura, said that fellow scholars at the site now include professors who were her former students at FSU. And those professors are now leading their own teams of students.
    "We're now getting the 'grand-students,'" de Grummond said—a fond reference to the third generation of researchers she now works with in Cetamura.
    Florida State's international archaeological summer program in Italy features field trips to sites and museums that help enrich students' knowledge of the cultures under excavation at Cetamura. It's open to all interested students and is particularly recommended for students majoring in anthropology, art history and classics. Learn more about the program at
    De Grummond said researchers in southern France who are compiling a database of vineyard seeds will study the grape seeds from this year's dig.
    "It's kind of hard for me as an art historian who studies religion to think that these grape seeds might be my finest hour," de Grummond said with a laugh. "But they might be."

    Classics professor unearths archaeological clues about ancient Roman vineyards ~ Roman News and Archeology

    Ostie: Le premier port antique de Rome enfin retrouvé ~ Roman News and Archeology

    Ostie: Le premier port antique de Rome enfin retrouvé ~ Roman News and Archeology
    According to the ancient texts, Ostia was founded by Ancus Marcius, the fourth King of Rome. The goal was threefold: give Rome a led to the sea, ensure its supplies of wheat and salt and finally, to prevent an enemy fleet up the River Tiber. Archaeological excavations have shown that the initial urban core (castrum) back at the earliest at the turn of the 4th s. and 3rd s BC.
    If large ancient buildings and the main roads have been gradually updated, the location of the river port of Ostia mouth remained unknown so far. For some, it was seen as a port lost forever. Indeed, since the Renaissance, many attempts to location of the port of Ostia were undertaken, without success. It was not until the 19th and 20th century that Italian archaeologists define an area to the Northwest of the city, near the Imperial Palace. At the beginning of the 21st century, archaeologists confirm the probable location of the basin in the northern sector, using geomagnetic instruments. But there is still no consensus on the exact location of the port and the debate remained bright.
    A Franco-Italian team led by Jean-Philippe Goiran, researcher at the Archeorient Laboratory (CNRS / Université Lumière Lyon 2), so tried to permanently testing the hypothesis of a port in the North with a new geological cores. With the latest technological advances, this enables to overcome the problem of the table water that prevented traditional archaeological excavations down beyond 2 m depth.The sediment cores obtained helped to update the complete stratigraphy at a depth of 12 m and an evolution in 3 steps:
    1. Layer deep, prior to the foundation of Ostia, indicates that the sea was present in the area at the beginning of the 1st millennium BC.
    2. Stratum median, rich in clay-silty sediments of grey colour, which characterizes a port facies. The calculations give a depth of 6 m to the pool at the beginning of its operation, dated between the 4th and 2nd century b.c. Regarded until then as a primarily river port, which can accommodate shallow draft boats, the port of Ostia was in reality a deep pool to accommodate large marine vessels; This is what showed the depth measurement.
    Mockeries, the most recent layer testifies to the abandonment of the basin in Imperial Roman times by massive accumulations of silt. With radiocarbon dates, it is possible to deduce that a succession of episodes of major floods of the Tiber River came to permanently seal the harbour basin of Ostia from the 2nd century BC BC to the first quarter of a century a.d. (and this, despite possible phases of cleaning). At that time, the depth of the basin is less than 1 m and makes all navigation impossible. These results are consistent with the speech from the geographer Strabo (58 BC – 21/25 ad) that indicates a filling of the port of Ostia by sediments of the Tiber at its time. It was then abandoned in favour of a new port complex built 3 km north of the mouth of the Tiber River, the name of Portus.
    This discovery of the harbour basin of mouth in Ostia, North of the city and to the West of the Imperial Palace, will allow to better understand the relationship between Ostia, its port and the creation ex-nihilo Portus, started in 42 BC and completed under Nero in 64 a.d. This gigantic port of 200 ha will then become the port of Rome, and the largest ever built by the Romans in the Mediterranean.
    Between the abandonment of the port of Ostia and Portus construction operations, the researchers estimate that nearly 25 years have passed. How Rome, capital of the world ancient and first city to reach a million people, was fed in wheat during this period? The question arises now researchers.

    Thursday, November 29, 2012

    The Lost Town of Dunwich located in Dunwich, United Kingdom

    The Lost Town of Dunwich located in Dunwich, United Kingdom | Atlas Obscura | Curious and Wondrous Travel Destinations
    The Lost Town of Dunwich
    Dunwich is a village on the east coast of England that has almost completely eroded into the North Sea.
    Image of The Lost Town of Dunwich located in Dunwich, United Kingdom | Heritage House. undated. "Ordnance Survey Scale Linked Map of Dunwich and the Lost City 
(with Walberswick to Minsmere Walks)." Bradfield, Manningtree: Heritage House.
    Heritage House. undated. "Ordnance Survey Scale Linked Map of Dunwich and the Lost City (with Walberswick to Minsmere Walks)." Bradfield, Manningtree: Heritage House.
    Image of The Lost Town of Dunwich located in Dunwich, United Kingdom | Ruins of Greyfriars' Monastery. Author's photo.Image of The Lost Town of Dunwich located in Dunwich, United Kingdom | Heritage House. undated. "Ordnance Survey Scale Linked Map of Dunwich and the Lost City 
(with Walberswick to Minsmere Walks)." Bradfield, Manningtree: Heritage House.
    Intriguing Environs http://atlasobscura.com/category/intriguing-environs Ghost Towns http://atlasobscura.com/category/intriguing-environs/ghost-towns Incredible Ruins http://atlasobscura.com/category/architectural-oddities/incredible-ruins Subterranean Sites http://atlasobscura.com/category/architectural-oddities/subterranean-sites
    Formerly the early medieval capital of East Anglia, Dunwich is now a small village that over the past eight centuries has been suffering from coastal erosion. Today it is no larger than a few streets, a pub, and a few houses. And, famously, the Flora Tea Rooms, an excellent fish-and-chip shop.
    Most of the former town lies underneath the waves, as the local museum demonstrates, and the town has made an industry out of its lost heritage (which included around a dozen churches, a market square, and a guildhall). Walking along the shingle beach it is frequently possible to pick up small artefacts and bits of archaeology (including bones from an eroding cemetery) from the crumbling cliffs overhead.
    Once a prosperous seaport with a population of 3000 and listed in the Domesday book, the town was largely destroyed by storms in 1286 and 1347, then fell further victim to the eroding coastline. Today, almost the entire town has disappeared, leaving only the remains of a couple of buildings.
    Ruins of Greyfriars' Monastery are a striking part of the landscape, but most affecting is the palpable sense of absence to the village, and the realization that within another century, it may well disappear for good.

    Tuesday, November 27, 2012

    NASA - Why Study Plants in Space?

    NASA - Why Study Plants in Space?
    Why Study Plants in Space?

    11.27.12


    Samples from the Seedling Growth investigation aboard the International Space Station help researchers study the impact of the microgravity environment on plant growth. (NASA) Samples from the Seedling Growth investigation aboard the International Space Station help researchers study the impact of the microgravity environment on plant growth. (NASA)
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    View of the TROPI seedling cassette for the European Modular Cultivation System, or EMCS, aboard the International Space Station Destiny laboratory module during Expedition 14. (NASA) View of the TROPI seedling cassette for the European Modular Cultivation System, or EMCS, aboard the International Space Station Destiny laboratory module during Expedition 14. (NASA)
    View large image
    Why is NASA conducting plant research aboard the International Space Station? Because during future long-duration missions, life in space may depend on it.

    The ability of plants to provide a source of food and recycle carbon dioxide into breathable oxygen may prove critical for astronauts who will live in space for months at a time. In addition, plants provide a sense of well-being. At the McMurdo Station for research in Antarctica -- a site that in the dead of winter resembles the space station in its isolation, cramped quarters, and hostile environment -- the most sought after section of the habitat is the greenhouse.

    NASA and the European Space Agency, or ESA, are studying how plants adapt to micro- and low-gravity environments in a series of experiments designed to determine the ability of vegetation to provide a complete, sustainable, dependable and economical means for human life support in space. As researchers continue to gain new knowledge of how plants grow and develop at a molecular level, this insight also may lead to significant advances in agriculture production on Earth.

    Plant biology experiments on the space station using the European Modular Cultivation System, or EMCS, allow scientists to investigate plant growth and the processes within their cells to understand how plant life responds to conditions in space. Researchers currently are planning three new plant growth investigations specifically designed to examine the growth of seedlings in microgravity using this facility.

    Combining the proposals of NASA Principal Investigator John Z. Kiss, and ESA Principal Investigator Javier Medina, the Seedling Growth investigation will continue at the space station for a series of experiments: Seedling Growth 1, 2 and 3 in 2013, 2014 and 2015 respectively. The results of these experiments will help researchers understand how plants sense and respond to the space environment.

    Once aboard the space station, astronauts will conduct experiments to examine the seedlings' cultivation and stimulation under controlled temperature, atmosphere composition, limited water supply, illumination and acceleration conditions using centrifuges. Because the station crew is key to the success of the experiments, crew members will receive significant training, including on-board computer video instruction.

    Thus far, NASA's Ames Research Center, Moffett Field, Calif., has completed three experiments using the EMCS. The 2006 study called Root Phototropism, or Tropi, used Thale cress (Arabidopsis thaliana) seeds from the mustard family to investigate how plant roots respond to varying levels of light and gravity. Using a rotating centrifuge, Kiss designed the experiment to expose the plants to different gravity conditions.

    In 2010, the Tropi-2 experiment expanded on the knowledge gained from the first Tropi investigation. Collectively, the two studies demonstrated how red and blue light affects plant growth differently at varied levels of gravity. With this information, researchers now know that they can optimize plant root and shoot growth in space by fine-tuning the plants' exposure to light.

    Most recently, the Plant Signaling space experiment, led by Principal Investigator Imara Perera, research associate professor at North Carolina State University, Raleigh, N. C., studied the roots and shoots of wild type and genetically modified Thale cress plant seedlings in microgravity and 1g -- a simulation of Earth's gravity. Images of the seedlings were sent to Earth before astronauts harvested and preserved the seedlings for post-flight analysis. The frozen plants are scheduled to return to Earth in 2013 aboard a SpaceX Dragon capsule.

    The analysis of these data will lead to an understanding of the molecular mechanisms plants use to sense and respond to changes in their environment. Insights gained from this study will help scientists identify plants that are better able to withstand long duration spaceflight and microgravity conditions.

    Unique Environments Demand Specialized Equipment
    Provided by ESA, the EMCS consists of a holding structure filling four station lockers and includes an incubator with two centrifuges. Two to four Ames-developed Experiment Containers, or ECs, can mount to each of the two centrifuge rotors to allow scientists to perform experiments at various g-levels up to twice Earth's gravity, or 2g.

    The EMCS design enables control of temperature, humidity, oxygen and carbon dioxide. Equipped with white and infrared lights, EMCS also can control g-level simulation and water to perform experiments with biological samples. Video observation, imaging, data handling and command systems allow for control of the experiments inside the ECs. The ECs have specialized systems to study cell biology, small aquatic animals, roundworms, fruit flies and plants.

    NASA's Ames Research Center worked closely with ESA to develop specific experimental units designed to grow plant seedlings, particularly Thale Cress, as well as other plant species. The hardware has performed flawlessly in supporting the Tropi-1, Tropi-2 and Plant Signaling experiments and will be used in the upcoming Seedling Growth study.

    Encyclopedia of Fantasy (1997) Introduction to the Online Text

    Encyclopedia of Fantasy (1997) Introduction to the Online Text

    Monday, November 26, 2012

    Library Paints Hobbit Door Over Entrance

    Library Paints Hobbit Door Over Entrance - GalleyCat

    Library Paints Hobbit Door Over Entrance


    With The Hobbit hitting theaters soon, the Santa Clarita Library system in California will use the popular movie as a chance to encourage people to return to the library.
    The Friends of Santa Clarita Public Library have sponsored book discussions, lectures and games for readers of all ages to celebrate the J. R. R. Tolkien adaptation. In addition, one branch painted an excellent hobbit door on the library entrance (photo embedded above).
    Here’s more about the events: “To celebrate we are offering a variety of Hobbit related programs and activities. At all programs there will be a chance to win tickets to a free private library screening of the new movie The Hobbit on December 15th at 10 am at the Valencia Edwards Stadium 12 Theater. To win tickets you must be present at a program, have a current library card and be at least 13 years of age.”

    Saturday, November 24, 2012

    UK spies unable to crack coded message from WWII carrier pigeon - CNN.com

    UK spies unable to crack coded message from WWII carrier pigeon - CNN.com

    UK spies unable to crack coded message from WWII carrier pigeon

    By Michael Martinez, CNN
    updated 10:21 AM EST, Sat November 24, 2012
    Hand-written on a small piece of paper labeled
    Hand-written on a small piece of paper labeled "Pigeon Service," the note consists of five-letter words that don't make sense.
    STORY HIGHLIGHTS
    • The skeleton of a World War II carrier pigeon is found in a man's chimney in England
    • A red canister attached to a leg bone holds a coded message UK agency can't crack
    • Meanwhile, a pigeon museum seeks clues in the bird's identification numbers
    (CNN) -- Not even the British spy agencies that inspired James Bond can solve the mystery of a secret World War II message recently found on the skeleton of a carrier pigeon in a house chimney.
    The meaning of the encoded message apparently died about 70 years ago with the wayward pigeon that David Martin found in his smokestack in Bletchingley, Surrey County, England.
    Martin recently discovered the bird's remains with the surprisingly intact message inside a small red canister attached to a leg bone.
    The only hope appears to be curators at the Pigeon Museum at Bletchley Park, who are now trying to trace the origins of two alphanumeric identifiers for the pigeon that were also written on the message, the UK intelligence agency GCHQ said this week.
    "If they are identified and their wartime service established, it could help to decode the message," the agency said about the pigeon's identity numbers.
    To the casual reader, the message is indecipherable.
    Hand-written on a small piece of paper labeled "Pigeon Service," the note consists of five-letter words. Those words don't make sense: The jumble begins with "AOAKN" and "HVPKD." In all, the message consists of 27 five-letter code groups.
    Deciphering the message requires codebooks and possibly a "one-time pad" encryption system, and those materials "will normally have been destroyed once no longer in use," the agency said. There is a small chance that a codebook survived.
    "Without access to the relevant codebooks and details of any additional encryption used, it will remain impossible to decrypt," the agency said.
    The one-time pad encryption gave the note added security. A random key is used to encrypt only one message.
    "The advantage of this system is that, if used correctly, it is unbreakable as long as the key is kept secret," the agency said. "The disadvantage is that both the sending and receiving parties need to have access to the same key, which usually means producing and sharing a large keypad in advance."
    Heightening the mystery are three other issues: The message is undated, the meaning of its destination of "X02" is unknown, and analysts can't identify the sender's signature or his unit.
    "Unfortunately, much of the vital information that would indicate the context of the message is missing," the intelligence service said.
    The sender's sign-off appears to say "Sjt W Stot," using an abbreviation for "serjeant," an old-fashioned spelling for "sergeant," the agency said.
    The use of "Sjt" links the message to the army, the spy agency said.
    "If 'Sjt Stot' and addressee X02 could be identified, it could give us a better idea of where to look for the information," the agency said.
    About 250,000 pigeons were used during World War II by all branches of the military and the Special Operations Executive, the UK intelligence agency said.
    Flying from mainland Europe to Britain, the birds heroically delivered all sorts of messages through a gauntlet of enemy hawk patrols and potshots from soldiers.
    "Although it is disappointing that we cannot yet read the message brought back by a brave carrier pigeon, it is a tribute to the skills of the wartime code-makers that, despite working under severe pressure, they devised a code that was undecipherable both then and now," said GCHQ, one of three UK intelligence agencies

    Thursday, November 22, 2012

    Stories – moviepilot.com#stories/753895-tolkien-estate-sues-warner-bros-for-80-million?stamp=44752&utm_campaign=tolkien-estate-sues-warner-bros-for-80-million&utm_medium=facebook&utm_source=fb-channel-fantasy-channel

    Stories – moviepilot.com#stories/753895-tolkien-estate-sues-warner-bros-for-80-million?stamp=44752&utm_campaign=tolkien-estate-sues-warner-bros-for-80-million&utm_medium=facebook&utm_source=fb-channel-fantasy-channel
    3220
    Views
    It looks as though not everyone in charge of the J.R.R. Tolkien estate is happy with the way the man’s work has been utilized by movie companies. Mere weeks before the release of the first movie in the long-anticipated big-screen Peter Jackson adaptation, Warner Bros. is being sued by the estate for a whopping $80 million for misuse of the rights granted to the company for the trilogy of movies based on Tolkien’s The Lord of the Rings books.
    Don’t worry, fans, it has nothing to do with the movies; you can rest easy any worries you had about the latest Tolkien installment, The Hobbit: An Unexpected Journey the lawsuit is mainly over online slot machines and other digital merchandising. The estate said in a statement to Deadline that:
    Not only are gambling services outside the rights granted, but this exploitation of Tolkien’s well-loved work has offended and distressed Tolkien’s devoted fans, harming Tolkien’s legacy and reputation… The plaintiffs have been compelled to take this action to protect their literary and commercial assets and hope that the dispute will be resolved quickly.
    Warner Bros. originally had access to the limited right to sell consumer products of the type regularly merchandised at the time such as figurines, tableware, stationery items, clothing and the like. The complaint states that “they did not include any grant of exploitations such as electronic or digital rights, rights in media yet to be devised or other intangibles such as rights in services.”
    It looks as though the estate are suing for such a hefty amount of cash because of the “irreparable harm to Tolkien’s legacy” and reputation and the valuable goodwill generated by his works that the Rings casino gaming has supposedly caused. It’s not totally uncommon for disputes like this. Just last month Warner Bros. was on the other side of a lawsuit, accusing a small production company of trademark infringement over its upcoming movie Age of the Hobbits.
    So, there you have it, and I can totally understand the case the Tolkien estate. Middle-earth should not be destroyed using low class merchandising techniques like marketing slot machines. Plus, Tolkien was a devoted Christian there’s probably no way he’d have wanted to be associated with gambling? What are your thoughts

    Tuesday, November 20, 2012

    The game board King Charles carried to the scaffold

    The History Blog » Blog Archive » The game board King Charles carried to the scaffold

    The game board King Charles carried to the scaffold

    1607 amber gameboard, closedI can see why he wouldn’t have wanted to let it go until his head was separated from his neck. It’s that beautiful. Attributed to Georg Schreiber of Königsberg, Prussia, a 17th century master craftsman famed as the chess set maker to royalty, the game board is made of opaque white amber and translucent red amber on a wood chassis with an ebony superstructure, carved Roman-style portrait busts and chased silver accents. There’s a Nine Men’s Morris board on one side, a chess board on the other, and it opens up to reveal a diptych backgammon board. Inside it holds 14 game pieces of cream amber, with a white amber profile in the center overlaid with translucent red amber, and 14 pieces of translucent orange amber. The profiles are of all the kings of England from William the Conqueror to James I.
    Georg Schreiber game board, signed and dated 1616There is no signature on the board, so we can’t be absolutely certain that it was made by Georg Schreiber. The detail on this piece is one of a kind. No other boards have been found that are so elaborately decorated with allegorical scenes, busts, Latin and German proverbs, silver accents and painted metal underlays. However, Schreiber’s style is hard to mistake, and the many highly specific commonalities between this work and the only known game board to have been signed and dated by Schreiber put the attribution on very solid ground. The signed board is dated 1616. This board is dated 1607, which makes it the earliest Schreiber game board extant.
    Game piece with royal profileIn the first half of the 17th century, Königsberg was the center of amber craftsmanship in Europe. The Sambia Peninsula on the Baltic Sea just northwest of Königsberg had been the primary source of amber in the West since antiquity, and in the Middle Ages, the amber trade was controlled by the Teutonic Order, which ruled the area from 1255 until 1525 when their Grand Master, Albrecht of Hohenzollern, converted to Lutheranism and secularized the Order’s former territories into the Duchy of Prussia. Instead of the rosary beads which had been the primary amber product under the Teutonic Knights, artisans in Königsberg, the capital of the new duchy, focused on crafting courtly objects — caskets, cups, inlay and of course, game boards — for the nobility and aristocracy of Europe.
    This particular game board with its exquisite craftsmanship and royal English theme may have first been owned by King James I, who ruled England at the time of the board’s creation and who is the last English king portrayed on the game pieces. These high quality objects were often used as diplomatic gifts. The Elector of Brandenburg, ruler of Prussia, could well have gifted it to King James.
    The Execution of Charles I, unknown painter, Juxon wearing the long robe next to the King in bottom left panel and central execution panelThe royal provenance is also hard to confirm, but we know that King Charles I was an avid chess player, not even interrupting his game when he was told that the Scots had changed sides and were supporting Parliament. According to the tradition that has accompanied the piece for centuries, King Charles I brought the game board to the scaffold on the day of his execution, January 30th, 1649. There he bequeathed it to William Juxon, the Bishop of London and the king’s personal chaplain who gave Charles the last rites before he was beheaded. Charles also gave Juxon the copy of the King James Bible he had brought to the scaffold with him, and he handed him his “George,” a figure of St. George slaying the dragon that is part of the accoutrements of the Order of the Garter, with the request that Juxon deliver it to the Prince of Wales.
    Amber gameboard chess sideBy family tradition, Juxon left the game board to his nephew and it stayed in the family for two generations before being passed down to the Hesketh family, who added Juxon to their name as part of the inheritance stipulations. The Heskeths have owned it ever since. It’s the estate of Frederick Fermor-Hesketh, 2nd Lord Hesketh, which is now selling the piece. The Bible was given by Lady Susannah, widow of Sir William Juxon, son of the bishop’s nephew, to their neighbors the Jones family of Chastleton House. The Jacobean manor is now owned by the National Trust, but the Bible remains in the collection there. The Scaffold George, as the insignia became known, did eventually make its way to Charles’ son and is now in the Royal Collection.
    Amber gameboard opened to the backgammon diptychOther than the long oral tradition and the clear lines of descent from William Juxon, there is some documentary evidence supporting the dramatic King Charles I story. The inventory of the King’s possessions after his execution lists “A Paire of Tables [i.e. two game boards joined together to form a diptych] of White and Yellowe Amber garnished with silver.” Written below the entry is a line saying that it was sold to a creditor of the perpetually indebted Charles for £30. Creditors got first dibs in these fire sales. This is how many of them were “repaid” after the King’s death: they bought something from the royal collection with the expectation that they would be able to resell it at a profit and get some of their money back. (One item listed on the inventory that didn’t sell was Charles’ collection of Raphael’s tapestry cartoons.)
    King Charles I wearing the GeorgeHow could the game board have been sold to a creditor if Charles gave it to Bishop Juxon, you ask? By order of Parliament, Juxon was allowed to be with the King during his final days under “the same restraint as the King is,” in other words, confined to his rooms in Whitehall Palace. From January 27th, 1649, the day the King was sentenced, until January 31st, the day after the King was executed, William Juxon was being held by Parliament. As soon as he left the scaffold, Juxon was questioned by Parliamentary authorities. They confiscated everything the King had given him and questioned him about the last thing the King said to him (“Remember”). The next day they let him go.
    Amber gameboard, Nine Men's Morris sideBoth the game board and the Scaffold George are listed on the inventory. So if these objects were confiscated and sold, how could Juxon have gotten the game board back and bequeathed it to his family? The plausible answer is he simply bought it back from the creditor. The creditor in question was William Latham, a wool merchant, who was doubtless far more interested in cashing out the decorative object than in keeping it, especially since he had had to pony up £30 to buy it from Parliament. We know for a fact that that’s what happened to the Scaffold George: it was purchased by a creditor who then sold it to royalists. They saw to it that George was returned to Charles II in keeping with his father’s request.

    Friday, November 16, 2012

    "Roads of Arabia" Presents Hundreds of Recent Finds That Recast the Region's History | Around The Mall

    "Roads of Arabia" Presents Hundreds of Recent Finds That Recast the Region's History | Around The Mall

    “Roads of Arabia” Presents Hundreds of Recent Finds That Recast the Region’s History


    Representing part of a horse, this stone carving may prove that horses were actually first domesticated in the Arabian peninsula, not Central Asia. Circa 7000 B.C.E. Courtesy of the National Museum, Riyadh
    Art exhibits rarely come with their own diplomatic entourage, but the new groundbreaking show at the Sackler, “Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia” does. The show’s 314 objects that traveled from the Saudi peninsula were joined by both Prince Sultan bin Salman bin Abdulaziz Al Saud, president of the Saudi Commission for Tourism and Antiquities, and the Commission’s vice president of antiquities and museums and the show’s curator Ali al-Ghabban.
    “Today we hear that Arabia is a desert and petrol wealth. This is not true,” al-Ghabban says. Instead, he argues, it is a land with a deep and textured past, fundamentally intertwined with the cultures around it from the Greco-Romans to the Mesopotamians to the Persians. Dividing the region’s history into three epochs, the show moves from the area’s ancient trade routes at the heart of the incense trade to the rise of Islam and eventual establishment of the Saudi kingdom.
    “We are not closed,” says al-Ghabban. “We were always open. We are open today.”
    Many of the pieces in the show are being seen for the first time in North America, after the show toured Paris, Barcelona, St. Petersburg and Berlin. The Sackler has partnered with the Commission to organize a North American tour, tentatively beginning in Pittsburgh before moving to Houston’s Museum of Fine Arts and San Francisco’s Asian Art Museum.
    Sackler director Julian Raby calls it one of the museum’s most ambitious undertakings to date.
    The show comes after the Metropolitan Museum of Art held its own exhibit, “Byzantium and Islam: Age of Transition” in the spring. But rarely has a museum focused on the pre-Islamic roots of the region.
    One of the show’s organizers in the United States, Sackler’s curator of Islamic art, Massumeh Farhad says, “It was practically all unfamiliar.” Though the items in the show, ranging from monumental sculptures excavated from temples to tombstones with some of the earliest known Arabic script, were discovered over the past several decades, many objects were just unearthed only in the past few years. “It’s new material that really sheds light on Arabia,” says Farhad, “which up to now everybody thought its history began with the coming of Islam, but suddenly you see there’s this huge chapter preceding that.”
    A detail from a map from the exhibit shows incense trade routes in red, Bronze Age commercial routes in purple and pilgrimage routes in green. Courtesy of the Sackler Gallery
    Before Muslim pilgrims made their way to Mecca, Arabia was a network of caravan routes servicing the behemoth incense trade. It is estimated that the Romans alone imported 20 tons annually for use in religious and official ceremonies and even to perfume city sewage. “You forget what a smelly world it used to be,” Farhad jokes. Since incense–in the form of frankincense and myrrh–was only grown in southern Arabia and the Horn of Africa, traders had to travel through the peninsula, stopping to pay steep taxes at cities along the way. Though al-Ghabban tried to look past the pervasiveness of oil wealth in his country, the comparisons are hard not to notice (indeed, Exxon Mobil is even one of the show’s sponsors). “Incense was the oil of the ancient world,” explains Farhad.
    As a result, the settlements, each with their own culture, grew wealthy and were able to both import goods and support a strong local artistic community, leaving behind a diverse material record. Enigmatic grave markers from Ha’il in the northwest, for example, share characteristics with those found in Yemen and Jordan. But, Farhad says, they’re distinct in dress and gesture. Some of the most stunning items in the show, the minimalistic rendering of human form speaks without translation to the sorrowful contemplation of death.
    One of three stele in the exhibit, this sandstone grave marker from near Ha’il dates to the 4th millennium B.C.E. Courtesy of the National Museum, Riyadh
    Other objects are already starting to challenge what were once historical truths. A carved figure of a horse, for example, includes slight ridges where the animal’s reins would have been–inconsequential except for the fact that researchers place the carving from around 7,000 B.C.E., thousands of years prior to earliest evidence of domestication from Central Asia. Though Farhad warns more research is needed, it could be the first of several upsets. “This particular object here is characteristic of the show in general,” says Farhad.
    With the rise of Christianity, the luxurious expense of incense fell out of favor and over time the roads once traveled by traders were soon populated by pilgrims completing the Hajj to Mecca, where Muhammad famously smashed the idols at the Ka’ba. Because of Islam’s condemnation of idolatry, figural art was replaced by calligraphy and other abstracted forms. A room of tombstones that marked the graves of pilgrims who had completed the holy journey to Mecca represents some of the earliest known Arabic script. Lit dramatically, the rows of red and black stone mark a striking transition from the Roman bronzes from the 1st century C.E. just a few feet away.
    These doors, gilt silver on wood, marked the entrance to the interior of the Ka’ba until they were replaced in the mid-20th century. Courtesy of the National Museum, Riyadh
    In the exhibition catalog, Raby writes, “The objects selected for Roads of Arabia demonstrate that the Arabian Peninsula was not isolated in ancient times.” Through its role as a conduit for trade, Raby argues, Arabia supported a “cultural efflorescence.” By rethinking the region’s history, it seems Saudi Arabia, through the Commission for Tourism and Antiquities, also hopes for reconsideration as an open and dynamic country along the lines of this new picture now emerging of its past.
    Excavators found colossal sandstone statues reminiscent of Egyptian sculpture in a temple in the ancient settlement of Dedan, now called Al-Ula. Circa 4th century B.C.E. Courtesy of the Department of Archaeology Museum, King Saud University
    Donated as a sign of pious devotion on behalf of the Ottoman sultan’s wife, Mahpeyker or Kösem, this incense burner features iron, gold and silver in a floral inlaid pattern. AH 1059/1649 C.E. Courtesy of the National Museum, Riyadh
    From the crossroads city of Qaryat al-Faw, this bronze head of a man reflects a strong Roman influence mixed with south Arabian stylizations, as in the treatment of the hair. Circa 1st to 2nd century C.E. Courtesy of the Department of Archaeology Museum, King Saud University
    Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia” opens November 17 with a symposium titled, “Crossroads of Culture” and cultural celebration, Eid al Arabia.