BBC - London - In Pictures - Old London Bridge
Much like " Game of Thrones" just head, pike, and place on the bridge. Great pictures of model.
Games, General Geekery, and what knots found on the web
Thursday, July 18, 2013
Friday, July 12, 2013
Weep at the beauty of Tolkien’s ‘Silmarillion’ Illuminated | Hobbit Movie News and Rumors | TheOneRing.net™
Weep at the beauty of Tolkien’s ‘Silmarillion’ Illuminated | Hobbit Movie News and Rumors | TheOneRing.net™
July 12, 2013 at 4:17 pm by MrCere -
How beautiful can a J.R.R. Tolkien book be? There are some fantastic illustrated versions of “The Hobbit,” “The Lord of the Rings,” and “The Silmarillion,” and each is beautiful and can be an impressive part of any library. There have been some deluxe versions of LOTR printed over the years which are expensive and impressive. But Benjamin Harff has done something on a whole new level. Following the tradition of ancient forms of book making, often by monks or priests working before the printing press, Harff has used the old style to make a simply amazing version of Tolkien’s “The Silmarillion.”
He produced the book as part of his schooling and says, “…but the main problem was my strict limitation in time and money. Looking back I cannot understand how it worked! For my exam it would have been enough to do calligraphy for only one or two chapters. But I didn´t want to have a book with maybe twenty printed and 380 empty pages! That would not have been worthy for a Tolkien-work and I had better done a short story or so. But I thought: „This is your exam and maybe the last time that you can do what you want as an illustrator!“ So I did it, and couldn´t have done it with that fire, wouldn´t it have been a Tolkien-work. And although this was extremely hard, the fire did not cease.”
The Tolkien Library has an interview with excellent images. You can read the whole story right here
Weep at the beauty of Tolkien’s ‘Silmarillion’ Illuminated
The Illuminated Silmarillion
He produced the book as part of his schooling and says, “…but the main problem was my strict limitation in time and money. Looking back I cannot understand how it worked! For my exam it would have been enough to do calligraphy for only one or two chapters. But I didn´t want to have a book with maybe twenty printed and 380 empty pages! That would not have been worthy for a Tolkien-work and I had better done a short story or so. But I thought: „This is your exam and maybe the last time that you can do what you want as an illustrator!“ So I did it, and couldn´t have done it with that fire, wouldn´t it have been a Tolkien-work. And although this was extremely hard, the fire did not cease.”
The Tolkien Library has an interview with excellent images. You can read the whole story right here
These RPG Campaigns Will Keep You Busy All Summer Long via Io 9
These RPG Campaigns Will Keep You Busy All Summer Long
These RPG Campaigns Will Keep You Busy All Summer Long
The best way to spend summer vacation is playing tabletop RPGs with your friends, obviously. Whether you’re into swords and wizards or prefer technomancers and secret agents, here are eight awesome RPG campaigns to occupy those hazy afternoons and summer nights.
The eight role-playing systems here run the gamut, from old-school simulationist dice-fests to more free-form story games. For each one I’ve searched for an adventure suite or campaign that will take about four to six weeks to complete, perfect for a tabletop summer fling.
Shadowrun
The life cycle of Shadowrun’s 4th Edition is winding down, but there’s still plenty of fun to be had before the 5th edition is released. With the admittedly dense rules framework there’s enormous flexibility for creative solutions to the problems one tends to encounter in a cyberpunk world in which Earth’s ancient magic has awakened. Hack it, shoot it, blow it up, steal it, enspell it, then upload the video and become cyberfamous. Or use stealth and keep a lower profile. Your call.
Shadowrun Missions is a set of adventures that can be run in a single evening, and each one costs $4. They’re intended to be run in a single session at a game convention, but they work perfectly well for your weekly game night.
Call of Cthulhu
The classic Chaosium RPG, where your investigators are quite likely to go insane while trying to stop the rising tide of cosmic horror. The Call of Cthulhu system is not overly complex, so you can roll up a few characters and start investigating cultists and getting eaten my ghouls on short notice. But for a truly epic summer, check out the legendary Masks of Nyarlathotep campaign, a series of adventures that takes investigators around the world as they uncover an increasingly bizarre plot of terrifying proportions. It’s often touted as one of the greatest campaigns ever written. It might be a little long to fit into the summer months, but if you finish it up just as that first chill of autumn touches the wind and the nights start growing longer, maybe that’s ok.
Pathfinder
Pathfinder is my sword & sorcery RPG of choice these days. The rules can be a bit daunting for new players, but if you have experience with 3rd Edition D&D, Pathfinder is very similar (to the point of being mostly compatible). For a concise summer campaign, you should check out Pathfinder Society, a series of adventures designed to be run at cons and game stores, with the results tying in to a broader story. You can purchase and play them with your own group, of course ($4 each) — each one should fit into a single gaming session. Season five doesn’t start until mid-August, but season four offers a bunch of scenarios for any range of character levels you prefer.
If you want a more open-ended campaign, Razor Coast is a sandbox campaign setting centered on a group of dangerous islands. There’s a broad story you can follow, but it offers a ton of room for the gamemaster and players to explore and get involved in all the treasure hunting, swashbuckling excitement of the region.
Apocalypse World
This indie RPG has turned a lot of heads. The post-apocalyptic setting is a playground for the players and gamemaster to create weird stories and relationships. Instead of following a predetermined plot, the idea behind Apocalypse World is to ask questions, then play the game and find out the answers. The GM is as along for the ride as the players.
Apocalypse World has become so popular that a number of system hacks exporting it to different genres and settings exist. One of the most interesting is called Monsterhearts, which takes AW’s core ideas about open-ended role-playing and wraps them around the world of supernatural monsters and romance. Vampire Diaries, Buffy the Vampire Slayer and Twilight are among the direct inspirations, which makes for fertile ground for growing melodramatic tales of horror, loss, lust and, again, horror.
Song of Ice & Fire
Did you know that Green Ronin publishes the official Song of Ice & Fire RPG? And that it features incredibly beautiful cover art? We’ve got a long wait before the next season of Game of Thrones, which makes summer the perfect time to start your own elaborate and devious plots against the scions of the other houses. The short adventure “Wedding Knight” offers up plenty of opportunities for intrigue, or perhaps your own Red Wedding. It will only take a night or two, so after that you might move on to the meatier “Peril at King’s Landing.”
D&D Next
There’s a new edition of Dungeons & Dragons in development, but you don’t have to wait another year to try it out. The system is in an open beta test, so you can download the rules for free and run some adventures yourself. In its current iteration, D&D Next harkens back to the classic editions of the past while filing away some rough edges and incorporating some important advances in RPG design.
D&D offers an official set of summer adventures, too, through their in-store Encounters program. These events are supposed to be run at a sanctione game store, so you can’t just buy the adventures to run at home, but it’s pretty easy to find a store nearby already running it. While Encounters uses Fourth Edition rules, Wizards of the Coast offers a conversion guide so they can be run using D&D Next.
Gamma World
A new version of the totally bonkers post-apocalyptic Gamma World RPG came out a few years ago. It didn’t sell well, so only two expansions were made, but I think you should dispense with official adventures entirely. Gamma World is made to be twisted and weird and hilarious. Make some semi-random characters, then head out into the radioactive wastes and see you find. Take turns GMing each week. See who can create the most bizarre encounters. Creating characters is fast and fun, so maybe end each session with a total party kill, the weirder the better.
Night’s Black Agents
This RPG about secret agents battling shadowy vampire conspiracies puts a heavy emphasis on investigation, though the white knuckle action can be very intense too. There’s one official adventure for Night’s Black Agents, The Zalozhniy Quartet. It will take you about a month to complete, carrying the players from some gun smugglers who are worse than they seem to a safety deposit box in a Swiss bank to the looming horror of a vampire superweapon.
Thanks to Manda Collis of Charisma Bonus for helping with this list!
Tuesday, July 9, 2013
How George R.R. Martin Envisioned the Iron Thone [Pic] | Geeks are Sexy Technology News
How George R.R. Martin Envisioned the Iron Thone [Pic] | Geeks are Sexy Technology News
From George R.R. Martin:
Read more at http://www.geeksaresexy.net/2013/07/09/how-george-r-r-martin-envisioned-the-iron-thone-pic/#pUG3mEgeyE78A3gb.99
From George R.R. Martin:
This Iron Throne is massive. Ugly. Assymetric. It’s a throne made by blacksmiths hammering together half-melted, broken, twisted swords, wrenched from the hands of dead men or yielded up by defeated foes… a symbol of conquest… it has the steps I describe, and the height. From on top, the king dominates the throne room. And there are thousands of swords in it, not just a few. This Iron Throne is scary. And not at all a comfortable seat, just as Aegon intended.[Source: George R.R. Martin | Via Buzzfeed | Painting by artist Marc Simonetti
Read more at http://www.geeksaresexy.net/2013/07/09/how-george-r-r-martin-envisioned-the-iron-thone-pic/#pUG3mEgeyE78A3gb.99
Tower of London's Line of Kings continues 400-year-old narrative
Tower of London's Line of Kings continues 400-year-old narrative | Culture | guardian.co.uk
Tower of London's Line of Kings continues 400-year-old narrative
One of Tower's oldest displays, a mix of historic treasures and fakes praised by a Dutch traveller in 1652, has been revamped
Email The Line of Kings at the Tower of London in 1878: 'One of the largest collections of 17th-century wooden sculptures on display anywhere,' says curator Thom Richardson
William the Conqueror has been deposed, along with Edward III and Henry V, and Elizabeth I has kept her head but lost her horse, but the survivors of one of the oldest tourist attractions in the world, suited and booted in shining armour, their horses pawing the ground and tossing their wooden manes, are almost ready to ride out again.
On Wednesday visitors to the White Tower, the oldest part of the Tower of London, will see the latest version of a display almost 400 years old, extolled in countless guide books, maps, journals and letters. In 1652 a Dutch diplomat, Lodewijck Huygens, wrote that he had been to see "wooden horses with armed men on them" – and the tall tales were also already in place, since he was shown not only the genuine armour of Henry VIII, but that of John of Gaunt, "a renowned warrior of a few hundred years ago".
"It was the one sight any visitor to London worth his salt had to see," said Thom Richardson, curator of armour at the Royal Armouries, which runs the White Tower within the Historic Royal Palaces Tower of London site.
One of the exhibits in the Tower of London's new Line of Kings exhibition. Photograph: Christian Sinibaldi for the Guardian Even earlier wooden horses are known to have existed in Henry VIII's armoury at Greenwich palace, but to Richardson's disappointment, tests haven't identified any survivors, "nothing, not a sausage, not so much as a tin of horse meat".
For centuries the line was a parade of genuine historic treasures, inspired mashups confected by generations of tower staff, and outright fakes, towering majestic figures claimed as all the kings of England since William in 1066, wearing their real armour, carrying their own swords, on wooden horses wearing their own beautifully engraved and decorated armour. In fact there were a few notable absentees, including Richard III.
At one date miniature suits of armour represented the Little Princes, the nephews many believed Richard murdered – and whose bones were firmly believed to be those found under a staircase only a few metres from where the visitors stood. It was typical of the mixture of genuine and confected history in the line: one of the dazzling miniature suits really was made almost 150 years later for another little prince who changed the course of English history: Henry, whose early death meant his sickly little brother became Charles I.
It's back in the line, near Charles's own gilded armour, in which he would have shone like a medieval saint, probably worn at the Battle of Naseby, which was on display all through the republican Commonwealth era after the execution of Charles.
Grinling Gibbons, regarded as one of the most brilliant woodcarvers ever, was paid £40 in 1685 for a horse and a carving of "the late king" a few months after the death of Charles II. A figure of Elizabeth I was commissioned, but only her head survives, though a former Tower historian, Geoffrey Parnell, believes her horse and her little page may lie in a pit under a car park a stone's throw from the Ritz, buried for protection in the first world war.
When the condition of the horses was checked – "by shining a light up their bottoms," project leader Karen Whitting explained – many proved perilously fragile, far too weak to carry a king. Some are still in armour, but most are now displayed as magnificent sculptures.
"This now represents one of the largest collections of 17th-century wooden sculptures on display anywhere", Richardson said. Kings including Henry VIII and Charles II are, shockingly, on foot. Generations of Royal Armouries staff were used to moving the horses by picking up a leg at each corner and manhandling them up stone spiral staircases, or dragging them by pulleys and hoists up the outside of the tower. This time specialist firms were brought in, and they are supported by discreet acrylic props.
One of the exhibits in the Tower of London's new Line of Kings exhibition. Photograph: Christian Sinibaldi for the Guardian William the Conqueror was eventually booted out of the line in the 1820s, along with Edward III, John of Gaunt and Henry V, by one of the earliest and most distinguished armour historians, Samuel Meyrick, who regarded the display as a travesty: William, the victor of 1066, was in armour made in Greenwich more than 500 years after his death, and farsightedly brandishing a 17th-century musket.
"Meyrick undoubtedly put it on a much more sound and scholarly footing," Richardson said, "but the trouble was when he had finished there was practically nothing left to represent the middle ages."
His predecessors embarked on a shopping spree, filling the gaps with genuine antiques, others made to look centuries older, and some magnificent fakes. Every object in the new display has been part of the historic line at some point, including a little wooden figure in armour who may be part of an ancient automaton clock.
The tradition of tall tales spun by the yeoman warder, or beefeater, guides is as old as the Line of Kings itself.
Richardson has kept a favourite plain black iron breastplate, punctured with several small holes and one enormous one. "It was bought for testing at a time when claimed bullet-proof armour was being made – which this patently was not." In the 18th century one ancient warder had a cherished anecdote of how the soldier wearing it had had most of his guts blown away by a cannon ball that passed right through him, but was patched up and did perfectly well. However, a royal visitor, Prince Frederick, promptly capped this with an outrageous yarn about a soldier whose head was split open so the two halves flopped on his shoulders, until his quick-witted friends bound it up with a handkerchief, the wounded man drank a pot of ale and recovered completely. The mortified warder, aware he was being cruelly mocked, never spoke to a visitor again.
The Line of Kings, Tower of London, re-opens on Wednesday, 10 July.
• This article was amended on 7 July 2013. A reference to miniature suits being made 300 years after the Little Princes was changed to "almost 150 years"
On Wednesday visitors to the White Tower, the oldest part of the Tower of London, will see the latest version of a display almost 400 years old, extolled in countless guide books, maps, journals and letters. In 1652 a Dutch diplomat, Lodewijck Huygens, wrote that he had been to see "wooden horses with armed men on them" – and the tall tales were also already in place, since he was shown not only the genuine armour of Henry VIII, but that of John of Gaunt, "a renowned warrior of a few hundred years ago".
"It was the one sight any visitor to London worth his salt had to see," said Thom Richardson, curator of armour at the Royal Armouries, which runs the White Tower within the Historic Royal Palaces Tower of London site.
One of the exhibits in the Tower of London's new Line of Kings exhibition. Photograph: Christian Sinibaldi for the Guardian Even earlier wooden horses are known to have existed in Henry VIII's armoury at Greenwich palace, but to Richardson's disappointment, tests haven't identified any survivors, "nothing, not a sausage, not so much as a tin of horse meat".For centuries the line was a parade of genuine historic treasures, inspired mashups confected by generations of tower staff, and outright fakes, towering majestic figures claimed as all the kings of England since William in 1066, wearing their real armour, carrying their own swords, on wooden horses wearing their own beautifully engraved and decorated armour. In fact there were a few notable absentees, including Richard III.
At one date miniature suits of armour represented the Little Princes, the nephews many believed Richard murdered – and whose bones were firmly believed to be those found under a staircase only a few metres from where the visitors stood. It was typical of the mixture of genuine and confected history in the line: one of the dazzling miniature suits really was made almost 150 years later for another little prince who changed the course of English history: Henry, whose early death meant his sickly little brother became Charles I.
It's back in the line, near Charles's own gilded armour, in which he would have shone like a medieval saint, probably worn at the Battle of Naseby, which was on display all through the republican Commonwealth era after the execution of Charles.
Grinling Gibbons, regarded as one of the most brilliant woodcarvers ever, was paid £40 in 1685 for a horse and a carving of "the late king" a few months after the death of Charles II. A figure of Elizabeth I was commissioned, but only her head survives, though a former Tower historian, Geoffrey Parnell, believes her horse and her little page may lie in a pit under a car park a stone's throw from the Ritz, buried for protection in the first world war.
When the condition of the horses was checked – "by shining a light up their bottoms," project leader Karen Whitting explained – many proved perilously fragile, far too weak to carry a king. Some are still in armour, but most are now displayed as magnificent sculptures.
"This now represents one of the largest collections of 17th-century wooden sculptures on display anywhere", Richardson said. Kings including Henry VIII and Charles II are, shockingly, on foot. Generations of Royal Armouries staff were used to moving the horses by picking up a leg at each corner and manhandling them up stone spiral staircases, or dragging them by pulleys and hoists up the outside of the tower. This time specialist firms were brought in, and they are supported by discreet acrylic props.
One of the exhibits in the Tower of London's new Line of Kings exhibition. Photograph: Christian Sinibaldi for the Guardian William the Conqueror was eventually booted out of the line in the 1820s, along with Edward III, John of Gaunt and Henry V, by one of the earliest and most distinguished armour historians, Samuel Meyrick, who regarded the display as a travesty: William, the victor of 1066, was in armour made in Greenwich more than 500 years after his death, and farsightedly brandishing a 17th-century musket."Meyrick undoubtedly put it on a much more sound and scholarly footing," Richardson said, "but the trouble was when he had finished there was practically nothing left to represent the middle ages."
His predecessors embarked on a shopping spree, filling the gaps with genuine antiques, others made to look centuries older, and some magnificent fakes. Every object in the new display has been part of the historic line at some point, including a little wooden figure in armour who may be part of an ancient automaton clock.
The tradition of tall tales spun by the yeoman warder, or beefeater, guides is as old as the Line of Kings itself.
Richardson has kept a favourite plain black iron breastplate, punctured with several small holes and one enormous one. "It was bought for testing at a time when claimed bullet-proof armour was being made – which this patently was not." In the 18th century one ancient warder had a cherished anecdote of how the soldier wearing it had had most of his guts blown away by a cannon ball that passed right through him, but was patched up and did perfectly well. However, a royal visitor, Prince Frederick, promptly capped this with an outrageous yarn about a soldier whose head was split open so the two halves flopped on his shoulders, until his quick-witted friends bound it up with a handkerchief, the wounded man drank a pot of ale and recovered completely. The mortified warder, aware he was being cruelly mocked, never spoke to a visitor again.
The Line of Kings, Tower of London, re-opens on Wednesday, 10 July.
• This article was amended on 7 July 2013. A reference to miniature suits being made 300 years after the Little Princes was changed to "almost 150 years"
Monday, July 8, 2013
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